Postmedia Network has scrapped the Sunday editions of the Calgary Herald, Edmonton Journal and Ottawa Citizen, put the National Post’s Monday edition on hiatus for the second summer in a row, and announced plans to stop publishing print editions of the chain’s papers on national holidays. More newsroom jobs will be lost, local news coverage will continue to shrink, and the future of the business will continue to look bleak. Pat O’Callaghan must be turning in his grave.
It seems like only yesterday (it was actually in 1982) that O’Callaghan came to Calgary from Edmonton to become the Herald’s publisher. At the time, the upstart Calgary Sun had a Sunday edition, but not the Herald. “This minor daily paper should not have the Sunday market all to itself,” said O’Callaghan. He announced that the Herald would thenceforth publish its own Sunday edition because “we live in a seven-day world.” Three years later, he added a Sunday magazine to the paper. That supplement appeared for the next six years, and won a few national and regional awards for writing and photography. (Full disclosure: I was one of the magazine’s writers.)
Although the Sunday magazine had its own dedicated staff – two full-time writers, one full-time photographer, two full-time copy editors, and an editor-in-chief – the same did not hold true for the Sunday paper itself. That was a missed opportunity, to my mind. Instead of stretching six days of coverage over seven, Herald management should have put a full-time team of reporters, editors and photographers in place to produce an independent Sunday paper.
Management should also have taken some of those additional Sunday advertising dollars and used them to recruit a rotating roster of guest columnists (Aritha van Herk, Sharon Pollock, Fred Stenson, Sid Marty, Sam Selvon, etc.) to give the Sunday paper its own voice and identity. The resulting publication might not have had the same cachet as the Sunday New York Times, or even the Saturday Globe with its great standalone book review section, now much missed. But at least it would have stood out from the Monday to Saturday editions as a paper with a distinctive style and tone.
By the time Herald management finally got around to remaking the Sunday paper in accordance with reader surveys, it was too little too late. The paper was heavy on cosmetic changes and light on content reimagining. There was little in it for readers who had grown used to living without a local Sunday paper.
What will the Herald lose when the Sunday edition is axed at the end of July? We have yet to hear what sections will move to Saturday and to other days of the week. But I think it’s fair to speculate that books coverage will not be one of them. Book reviews don’t attract advertising and now, more than ever, advertising support is the key to the Herald’s survival. Sad but true.
One section deserves to die. The paper should get rid of the Sunday spreads of photos from the local cocktail party scene that, to my mind, take up an unnecessary amount of valuable space. But Corporate Calgary has to be kept happy, I suppose, so these pretty pictures are undoubtedly here to stay. Atwood will become irrelevant but the Stampede Queen must reign forever.
O’Callaghan was handed a great gig when he became the Herald’s publisher. Not only did he have the freedom to launch a Sunday edition and magazine, but he also had the freedom to make the Herald reflect his philosophy that a newspaper should “never be bland, colourless or gutless.”
Today, there is plenty of bland, precious little colour, and hardly any gutsiness. That’s what happens when you’re owned by a bunch New York hedge funds that care only about profit.
I see no light at the end of this tunnel. The demise of the Sunday editions is just the beginning of the end for Postmedia as a publisher of printed newspapers. I can only echo the wise words of a first-year journalism student who said to me recently, “I feel like we’re being trained to work for a business that will no longer exist by the time we graduate.”